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Acc. for Loudspeakers Accessories for Guitar Effects Accessories for Mixers Accus, Batteries and Charging sets Active Battery Operated Loudspeaker Systems Active Nearfield Monitors Active Nose Canelling Headphones Active Stage Monitors Active Subwoofers Amps. for Acoustic Guitars Analog Multicore Audiotools Bass Multieffects Bluetooth® headphones Boundary Microphones Broadcast Microphones Broadcast mixing desks Camcorder mics Chorus/ Flanger/ Phaser Combos for Electric Guitars Complete Sound Systems Components for Sennheiser Wireless Compressors, Gates and Deesser Condenser Microphones Crossovers Analog Crossovers Digital DAW Controllers DI-Boxes Digital Audio Multicore Units Digital Converters Digital Mixing Desks Distortion Pedals DJ Crossfader Channelfader DJ Headphones Drum Microphone Sets DSLR Mics & Recorders DSP Sound Processors Dynamic Microphones Effects for Bass Equalizers ETC PAR Feedback Controllers Firewire Audio Interfaces Full-Range Active Loudspeakers Full-Range Passive Loudspeakers Gooseneck Microphones Graphic Equalizers Hanging Microphones Headphone Preamps Headphones Earpads Headphones for Drummers Headphones for Keys Headset Microphones HiFi Headphones I/O cards for digital mixers In-Ear-Headphones Karaoke & Party Systems Karaoke microphones Keyboard Amps Keyboard Bags Large-diaphragm Microphones Lavalier Microphones Limiters & Gates Master Keyboards up to 49 Keys Master Keyboards up to 61 Keys Matrix Mixers Matrix Mixers for Installations (ELA) Measurement Microphones Memory Lighting Consoles Microphone Sets Microphone Sets for Drums Microphones for Acoustic Piano Microphones for Amplifiers Microphones for Bass Drum Microphones for Bass Drum Microphones for Special Instruments Mics. for Clarinets Mics. for Saxophone Mics. for Trumpet, Horn ETC MIDI Controllers Misc. Apple Accessories Misc. Controllers Misc. Studio Gear Miscellanea Guitar Effects Mobile PA Systems MP3 & Mobile Phone Headphones Multi-Channel Power Amps. Multieffects for Guitars Multi Effects Processors Multi Effects Processors Multi purpose dynamic microphones Other Accessories Paging consoles & Microphones Passive Nearfield Monitors Passive Subwoofers Patch Bays Patch Panels PC Communication Headsets Phantom Adapters ETC. Phono Stage Podcast Equipment Power Amps. 2000 W or More (4 ohm) Power Amps. Up To 800 W (4 ohm) Powered Mixiers Power Supplies Preamps Psychoacoustic Effects Replacement Knobs Reverb and Hall Effects Signal Processing Interfaces Signal Splitters Single Parts for In-Ear-Monitors Small-diaphragm Microphones Solid-State Bassheads Solid-State Guitar Combos Sound Modules (Expanders) Speaker Management Processors Special Wireless Systems Standard Mixing Desks Stereo Microphones Studio Headphones Studio Monitor Amplifiers Studio Monitor Controllers Subwoofer Switch Pedals Synthesizers Traktor Controllers Tube Guitar Combos Tube Guitar Heads Turntable accessories USB & iPOD Microphones USB / Fire Wire Controller USB/Firewire Mixers USB Audio Interfaces Wah Wah Wired In-Ear-Monitors Wireless Headphones Wireless In-Ear-Monitoring Wireless Mics. with Handheld Microphone Wireless Mics. with Lapell Microphones
Category
Manifacturer
sE electronics RF (RF PRO)
Features:
portable device for recording live sound sources with reduced room ambiance.
The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched aluminum which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminum foil which helps dissipate energy and break up the lower frequency waveforms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, aluminum wall which further serve to absorb then diffuse the remaining acoustic energy.
The main absorber has 4 formed pieces of state-of-the-art specialist acoustic absorptive material attached to its face via the extended separation rods, which further serve to absorb and then diffuse the sound waves as they pass to the main filter.
The stand assembly is composed of a mic stand clamp fitting, which attaches by means of a vertical joint to the horizontal bar assembly onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. The microphone (in its shock mount) can then be moved both vertically and horizontally along the bar, and the Reflexion Filter itself can be moved vertically to obtain the optimum working position.
The various layers both absorb and diffuse the sound waves hitting them, so progressively less of the original source acoustic energy passes through each layer. This reduces the amount of energy hitting untreated walls and other surfaces so there is less of the original source reflected back as unwanted room ambience to the mic. The Reflexion Filter also helps prevent any reflected sound reaching the back and sides of the mic. Its shape and size have been carefully tested to maximize absorption while keeping 'coloration' down to only around 1dB, and leaving the microphone's polar pattern unaffected.
The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched aluminum which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminum foil which helps dissipate energy and break up the lower frequency waveforms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, aluminum wall which further serve to absorb then diffuse the remaining acoustic energy.
The main absorber has 4 formed pieces of state-of-the-art specialist acoustic absorptive material attached to its face via the extended separation rods, which further serve to absorb and then diffuse the sound waves as they pass to the main filter.
The stand assembly is composed of a mic stand clamp fitting, which attaches by means of a vertical joint to the horizontal bar assembly onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. The microphone (in its shock mount) can then be moved both vertically and horizontally along the bar, and the Reflexion Filter itself can be moved vertically to obtain the optimum working position.
The various layers both absorb and diffuse the sound waves hitting them, so progressively less of the original source acoustic energy passes through each layer. This reduces the amount of energy hitting untreated walls and other surfaces so there is less of the original source reflected back as unwanted room ambience to the mic. The Reflexion Filter also helps prevent any reflected sound reaching the back and sides of the mic. Its shape and size have been carefully tested to maximize absorption while keeping 'coloration' down to only around 1dB, and leaving the microphone's polar pattern unaffected.
Our Price
410.72 BGN
BUY NOW!
Availability of this item:
on request
on request
Warranty: 12 months
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Availability info:
- In stock
- 2 - 5 days
- Limited Qty. Available
- Not available *
- Discontinued
* On request
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OPERATOR:
"Music World” Ltd
VAT № BG 205686014
7, Iskarsko Chausee blvd.
1528, Sofia, Bulgaria,
info@musicworld.bg
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